“I’m good for some, but I’m not for everyone,” TJ Osborne sings on Skeletons, Brothers Osborne’s third studio album. That lyric might as well be the group’s mission statement: a proud declaration of uniqueness, delivered by a band of brothers whose boundary breaking country songs have always mixed the twang of southern music with the groove and guitar-driven swagger of rock & roll. At the same time, it’s hard to look at the Osbornes’ long list of musical milestones — including six Grammy nominations, four CMA Awards, five ACM trophies, and more than a half-dozen hits — and imagine anyone turning up their noses at a sound that’s taken the siblings from the blue-collar beach bars of their Maryland hometown to some of the biggest stages across the world.

Skeletons is a celebration of that sound — a melodic, muscular album that builds upon the hooks of the band’s career-launching debut, Pawn Shop, as well as the forward thinking adventurousness of their sophomore release, Port Saint Joe. More than anything, it’s a sound rooted in the excitement and electricity of Brothers Osborne’s concerts, packed with songs that could all serve as crowd-rousing encores. Recorded with multi-platinum producer Jay Joyce during a time of global turbulence, Skeletons is a celebratory album for a world in sore need of uplifting music.

John and TJ attribute that distinctive sound to their modest upbringing in the small town of Deale, Maryland, tucked into a corner of the Chesapeake Bay. Acoustic jam sessions became a regular occurrence in the Osborne household often lasting well into the night. For TJ and John, those informal gigs were a chance to cut their teeth as musicians, with TJ earning his earliest fans as a deep-voiced singer and John standing out as a first rate guitar picker. Decades later, the siblings have sharpened that dynamic to a fine point, broadening and boosting their sound with help from a touring band of honorary brothers.